There can be no walkthrough for a game with so many random
elements. But, perhaps a transcript of my session with s(n)ide commentary
and analysis (indented and in green) might give you a feel for the
strategy involved. I resolved to use the first game I played,
win or lose (the title might hint at the result), warts and all, and here it is.
Start of a transcript of
Bleach of Etiquette
Demonstrate competency in six arts and become Geisha? You've failed twice. The
third time must be the charm, Demetoria-san.
An Agenda Planner by J. D. Berry (jdberry@cox.net)
*****
Warning. This game contains implied sexual situations and strong language.
*****
*****
Warning. The help feature for this game was recently rated "Worst Help" based on
statistics compiled by Feedback Inc. It has been disabled until modifications
are made.
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Release 1 / Serial number 020927 / Inform v6.21 Library 6/10
Standard interpreter 1.0 (6F) / Library serial number 991113
>when all
"The bear is available in the morning."
"The goat is available at night and at midnight."
"The monkey is available at noon."
"The fox is available in the morning and at noon."
"The elephant is available in the evening and at night."
"The conservatory would be free any time except dawn and night and midnight."
"The theater would be free any time except dawn and night and midnight."
"The tea room would be free any time except midnight."
"The laboratory would be free any time except midnight."
"The studio would be free any time except dawn and night and midnight."
"The gardens would be free any time except dawn and midnight."
Probably a "no, duh", but "when all" is a good place to start.
The bear (Vidoru) and the monkey (Zyun) are the initial clients who have random
availability. If their times conflict, scheduling becomes difficult.
In this case, I do have a problem. I can book the bear and monkey, but then
there's no room for the fox. Bad but not horrible luck; nothing adaptability
can't handle.
>b bear morning
"I will book the bear for that time slot," says Junna-chan.
>b monkey noon
"I will book the monkey for that time slot," says Junna-chan.
>b goat midnight
"I will book the goat for that time slot," says Junna-chan.
>research dawn
You note this on your personal calendar.
>r flowers night
"I will reserve the gardens for that time slot," says Junna-chan.
>r tea afternoon
"I will reserve the tea room for that time slot," says Junna-chan.
>cal
Your Monday schedule:
Dawn -- research
Morning -- Vidoru
Noon -- Zyun
Afternoon -- tea
Evening -- Empty
Night -- gardens
Midnight -- Gaho
>r theatre evening
"I will reserve the theater for that time slot," says Junna-chan.
Research (a.k.a. discover test loopholes) at dawn or midnight. Practice
rooms aren't open (except for a few activities permitted at dawn), and
it's uncommon for clients to want those time slots.
Someone has to get squeezed out of the schedule, so I'm bagging
foxy Chizumi this time. I'll have to see her tomorrow. It's more
important (at least from my perspective) to get Vidoru and Zyun.
Zyun is a must-see. Getting favorable judges is critical to success. (I'm sure
we've all had professors where no matter what we did we got an "A", yet had
others with whom no matter how hard we tried, we were a "C". Yet, we were the
same student. Perception, baby.) "Improving" judges improves your ability in
all 6 arts.
Important from a strategy perspective is Vidoru. He gives you a skill at
random (except flowers.) Personally, I like to see early on what that skill
is so I can plan accordingly. That's why I've deferred the dance lessons
from Chizumi. I know I can always get those (whether I learn or not is
a different story.)
Last client to get in is Gaho. Often a good fill for midnight for reasons
similar to the ones I listed for research, above. Yes, I could try
going to the lab, but it's important to see the level of love he has to
manipulate him later. Also, it gets me more quickly to favor 3 (the
most helpful of the favors.) There are only 5 days to meet.
I'm not bothering with Soh yet. He's not unimportant, even though he
can't give any game-helping favors. More on him, later.
I ALWAYS go to the gardens on Monday. Flower arranging is the hardest of the arts
to get help with (only randomly from Uji-Fuji, and through "across-the-board" help
from Katsu), AND you can't get that test banned. Learning
early your potential in that art is crucial.
I'll round out my day with the Tea Room and the Theater. I usually choose
these for similar reasons as the gardens--it's easier to get help with the other arts.
>done
dawn
(Who needs all that white make-up that every other Geisha wears? For one, it
would only hide your raw beauty--gild the lily. For two, you are an albino--
bleach the swan. For--what number are you on?--oh, yes, three, you're allergic
to the stuff--pepper the sneezer.)
Library
Documents and books not referenced by Junna-chan in a routine day are stacked on
sagging shelves here. Dust, of which not a trace may be found elsewhere, is
noticeable here. A musty smell permeates.
Nearly all of your time is spent poring over irrelevant or unhelpful items.
A newspaper clipping reports that a foreign businessman convinced a local
authority to ban smoking on one of his holy days.
From a book on geisha test law, all events must conform with the rules and
regulations of the government ... If a test item conflicts, said item must not
be held and it must be considered passed.
[continue]
morning
Pearl's Casino
Cacophony.
People rush through an open quadruple entrance and plod through a closed single
exit. A hostess wearing a red dress offers obvious information. A dense mass of
players and spectators circles every gaming table, a sparser mass connects them
all. The waitresses dance to their destinations, present tacit acknowledgements
to each member of the chorus line, then engage in the featured encounter.
Elegant glass elevators disappear through the ceiling, heading to tacky rooms
and tackier suites.
The cacophony does not relent, but it settles into the background.
Ten minutes past your appointed time, Vidoru arrives. His walk does not betray
it, but you've never been with him when he wasn't under the influence of
alcohol.
"Shall we begin our time together, Demetoria-san?"
There's a pause, then the two of you bow.
Vidoru wastes no time getting to the craps table. "Demetoria-san, tell the
cocktail waitress how I like my martinis." He throws the dice, not expecting a
reply. You obey, but his instructions are a formality. This staff has served him
for years.
(You're owed favors by all of your clients. At an opportune moment during the
course of this encounter, what favor will you try to redeem?)
1) None
2) Test Assistance
(What level of pressure will you apply?)
1) Hint
2) Ask
3) Insist
4) Demand
5) Ultimatum
Use the cheat sheet's client table to follow along. Except for those few times
where I use more pressure than normal, assume I've chosen the minimum
level to succeed.
"Of course, my dear."
"I have an odd little electronic device to help you dance. I'll have one of my
boys deliver it to your house."
I don't know yet if this is lucky or unlucky. It will depend on my dance potential.
Dancing instruction is readily available from Chizumi, but if I have two left feet,
this device might be a BIG help.
Fade to sack.
[continue]
noon
Autumn Leaves Bathhouse
A labyrinth of corridors connects the dressing areas to the rooms for bath. The
rooms are small and lockable. Each contains a porcelain tub capable of holding
four average-sized persons or ennobling two. A greenhouse ceiling obscures the
view of the bathhouse's waterfall, itself obscuring the wafting giggles.
A boy, no, a man dressed in black sees you. He bears his teeth, then surrounds
them with a smile. Zyun.
"Doll-san, my day is complete--your face, it never ceases to delight me."
There's a pause, then the two of you bow.
"You wouldn't believe how many lives are influenced based on deals made in these
baths."
(What favor will you try to redeem?)
1) None
2) Test Assistance
(What level of pressure will you apply?)
1) Hint
2) Ask
3) Insist
4) Demand
5) Ultimatum
"You want it, you got it, Doll-san."
"Spring makes everyone happier. Even geisha judges are more agreeable this time
of year. Would you not agree, Doll-san?"
You perform your special "exotic lips" dance before you leave.
[continue]
afternoon
Tea Room
A tatami mat covers most of the floor. By the far wall, an iron brazier heats an
iron kettle. By the near, a shelf holds bowls, pitchers and utensils.
A scroll proclaiming spring's goodness hangs in an alcove.
The tea room air seems to whisper mocking words.
You set your mind to the task at hand, practicing like you've never practiced
before--in the negative sense.
You finish. Finally.
You felt you were possibly on the verge of learning a key element. Maybe.
Check the cheat sheet. I know from this that I should have just learned something,
but I've reached my potential in the tea ceremony and can never naturally
improve.
The geisha assigned to this room today says, "Based on your performance, I would
give you a yellow flag (marginal).
Ah... but looks like I've started out the game with some skill in the Tea
Ceremony. Now, again, from the cheat sheet, the judge is within 1 point of my
actual ability. Based on the yellow flag, I know I have a 2, 3 or 4 level shuffling
tea cups. I've just started, though, and didn't learn anything from this
particular practice session, so I know it's only a 2 or 3. That'll be
good enough to pass the test on Saturday if the judges should mysteriously
change and I meet Katsu. I need never bother with the Tea Room again.
It is my humble opinion that you have reached your potential in this art."
She's nailed it.
[continue]
evening
Theater
A circular platform rises from the room's center, several artificial trees
linger on top. On the floor, twenty or so mats surround the stage.
Well, let's get this over with...
You set your mind to the task at hand.
You finish. Finally.
Alas, you're quite sure you didn't learn a thing.
The geisha assigned to this room today says, "Based on your performance, I would
give you a green flag (failing).
I see talent within you and the potential for a red flag on Saturday."
Hmmm... OK, I suck at acting, but I have good potential. I'm making a note
to visit the theater tomorrow, next time with feeling.
[continue]
night
Gardens
Plum trees past bloom and cherries in full balance this atrium. Cultivated
shrubbery fill in the appropriate gaps. Near one of the plums stands a stone
table and two benches.
Well, let's get this over with...
You set your mind to the task at hand.
You finish. Finally.
Alas, you're quite sure you didn't learn a thing.
The geisha assigned to this room today says, "Based on your performance, I would
give you a green flag (failing).
I regret you will never achieve better than a green flag, Saturday."
Uh oh. I suck at flower arranging and have no potential. I have only
a few ways to fix this. I can hope Uji-Fuji has a flower-arranging device
(yeah, you know, it's the latest rage in Fiji.) I have a 3 to 1
chance to get one if we meet both days. More likely, I should visit
Katsu, get Eiji to distract Akko and schedule the flower portion for
dawn on Saturday.
[continue]
midnight
Pearl's Casino
A strong hand touches your shoulder. Gaho.
"Demetoria-san, you're here. Your face is as perfect as always."
There's a pause, then the two of you bow.
"I need something exciting to take my mind off things."
(What favor will you try to redeem?)
1) None
2) Test Assistance
(What level of pressure will you apply?)
1) Hint
2) Ask
3) Insist
4) Demand
5) Ultimatum
"Of course. How I can resist the most beautiful girl in the world?"
Gaho tutors you, trying various tricks to help you understand math. A shock to
both of you--you absorb some of the rules.
You end the encounter contributing to the popular opinion that Geisha do that
sort of thing.
OK, at least I learned a little math. I'll mark +1 on the sheet.
[continue]
"My dear Demetoria-san," says the headmistress, again through the diaphanous
wall. "I am obligated to inform you that a priest of Benzaiten has honored our
humble town with his holy presence. Perhaps his counsel will reveal a path more
harmonious for you."